path can be closed , with no beginning or end (for example, a circle), or open , with distinct end points (for example, a wavy line).
Smooth curves are connected by anchor points called smooth points. Sharply curved paths are connected by corner points.
When you move a direction line on a smooth point, the curved segments on both sides of the point are adjusted simultaneously. By comparison, when you move a direction line on a corner point, only the curve on the same side of the point as the direction line is adjusted.
Selecting a path component or path segment displays all of the anchor points on the selected portion, including any direction lines and direction points if the selected segment is curved. Direction handles appear as filled circles, selected anchor points as filled squares, and unselected anchor points as hollow squares.
To select a path component (including a shape in a shape layer), select the Path Selection tool
, and click anywhere inside the path component. If a path consists of several path components, only the path component under the pointer is selected.
To select a path segment, select the Direct Selection tool
, and click one of the segment’s anchor points, or drag a marquee over part of the segment.
When the Direct Selection tool is selected, you can select the entire path or path component by Alt-clicking (Windows) or Option-clicking (Mac OS) inside the path. To activate the Direct Selection tool when most other tools are selected, position the pointer over an anchor point, and press Ctrl (Windows) or Command (Mac OS).
You can choose to work with paths in the isolation mode. To isolate only the layer containing a path, with the path active, double-click using a selection tool. You can also isolate single or multiple layers by using the Select/Isolate Layers menu item or by setting Layer Filtering to Selected .
You can exit the isolation mode in several ways, such as:
You can define the color and thickness of path lines to suit your taste and for easier visibility. While creating a path—using the Pen tool, for example—click the gear icon (
) in the Options bar. Now specify the color and thickness of path lines. Also, specify whether you want to preview path segments as you move the pointer between clicks (
Rubber Band
effect).
If an anchor point connects two segments, moving that anchor point always changes both segments.
When drawing with the Pen tool, you can temporarily activate the Direct Selection tool so that you can adjust segments you’ve already drawn; press Ctrl (Windows) or Command (Mac OS) while drawing.
When you initially draw a smooth point with the Pen tool, dragging the direction point changes the length of the direction line on both sides of the point. However, when you edit an existing smooth point with the Direct Selection tool, you change the length of the direction line only on the side you’re dragging.
To create a corner point, position the Pen tool where you want to end the new segment, and click. If you are extending a path that ends at a smooth point, the new segment will be curved by the existing direction line.
To create a smooth point, position the Pen tool where you want to end the new curved segment, and drag.
To connect the path to another open path,
click an endpoint on the other path. When you precisely position
the Pen tool over the other path’s endpoint, a small merge symbol
appears
next to the pointer.
To connect a new path to an existing path, draw the new path near the existing path, and then move the Pen tool to the existing path’s (unselected) endpoint. Click that endpoint when you see the small merge symbol that appears next to the pointer.
Adding anchor points can give you more control over a path or it can extend an open path. However try not to add more points than necessary. A path with fewer points is easier to edit, display, and print. You can reduce the complexity of a path by deleting unnecessary points.
The toolbox contains three tools for adding or deleting points: the Pen tool
, the Add Anchor Point tool
, and the Delete Anchor Point tool
.
By default, the Pen tool changes to the Add Anchor Point tool as you position it over a selected path, or to the Delete Anchor Point tool as you position it over an anchor point. You must select Auto Add/Delete in the options bar to enable the Pen tool to automatically change to the Add Anchor Point or Delete Anchor Point tool.
You can select and edit multiple paths simultaneously. You can also reshape a path while adding anchor points by clicking and dragging as you add.
Don’t use the Delete or Backspace keys or the Edit > Cut or Edit > Clear commands to delete anchor points. These keys and commands delete the point and line segments that connect to that point.
To add an anchor point, position the pointer over a path segment and click. To delete an anchor point, position the pointer over an anchor point and click.You can override automatic switching of the Pen tool to the Add Anchor Point tool or the Delete Anchor Point tool. This is useful when you want to start a new path on top of an existing path.
To activate the Convert Point tool while the Direct Selection tool is selected, position the pointer over an anchor point, and press Ctrl+Alt (Windows) or Command+Option (Mac OS).
To convert a corner point without direction lines to a corner point with independent direction lines, first drag a direction point out of a corner point (making it a smooth point with direction lines). Release the mouse button only (don’t release any keys you may have pressed to activate the Convert Anchor Point tool), and then drag either direction point.
To convert a smooth point to a corner point with independent direction lines, drag either direction point.
can reposition a path component (including a shape in a shape layer) anywhere within an image. You can copy components within an image or between two Photoshop images. Using the Path Selection tool, you can merge overlapping components into a single component. All vector objects, whether they are described by a saved path, work path, or vector mask, can be moved, reshaped, copied, or deleted.
You can also use the Copy and Paste commands to duplicate vector objects between a Photoshop image and an image in another application, such as Adobe Illustrator.
Select the path name in the Paths panel, and use the Path Selection toolDrag the path component from the source image to the destination image. The path component is copied to the active path in the Paths panel.
In the source image, select the path name in the Paths panel and choose Edit > Copy to copy the path. In the destination image, choose Edit > Paste. You can also use this method to combine paths in the same image.
To paste the path component into the destination image, select the path component in the source image, and choose Edit > Copy. In the destination image, choose Edit > Paste.
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