The thesis is entitled "The Stars: The Girls’ Destination“. The purpose is to think my works: " You Aren’t My Destiny". The thesis was separated into five chapters. The first chapter introduces the origin and the related background, and the second chapter, "the first century of the evil woman revolution". Using the flapper, single girl, the third wave feminism and the post feminism three parts to elaborate the history and the process of the “bad girl”’s revolution. The third chapter, “You are not my destiny", is the record of the exhibition and creation process of the artwork. In the fourth chapter,“Stage self-portraits” is written from the perspective of contemporary photography and photography history to analyzing the history and the recent development of Self-portraits and Fabricated to be Photography, and their influences on my creation process and aesthetics.
I want to deal with the influences women got from traditional concept and social media, and also the problems when facing the social framework. Today, in Taiwan''s popular drama or idol drama, "good girl" is still a single, flat image, in the popular films, dramas, women are mostly silly and innocent, unsophisticated, and without erotic feelings; therefore, they need the protection from male character. The patriarchal family system seems to have become the prerequisite for everyone to have a happy ending in life. So what kind of impact would it brings up? Female audiences agree with the female image in TV, dramas and films, build their self-identity in the framework of "suitable women" which continue to weaken the development and rights of women, strengthen and consolidate the structure of patriarchal society.
The original intention of my work is to face and deal with the related issues through my personal experiences. The thesis discusses from the personal experience, so there will be many first-person discourses. In fact, I am deeply influenced by popular culture and media. In childhood, by the Qiong Yao drama and idol drama, the establishment of my self-image and identity, I and other girls are no different, longing for love, marriage, and destined lovers; to adolescent,“Sex and the City” inspired me, and I finally found that women can also choose the freedom, and marriage is not the only destination of female. In my adulthood, I didn’t lose my passion for popular culture and media. I fell in love for several times and found myself couldn’t stand for those who had deep influence of patriarchal system. In graduated school, I began to study post-feminism and explored the third wave of feminism. Flapper, single girl, the third wave feminism become my most interested research topics, which are also being as the mentor to me helping me think clearly when observing and receiving messages of female from media and reality.
Popular culture and the transfer of image are direct and quick, so there are lots of stereotyped image which can be used, also understand the films and the dramas are in fact the only the tools of broadcasting, so they can''t be judged. Therefore, if the stereotyped concept can be added to the images, the audiences through watching can recognize it. Because of that, I chose to make my work through choreographer type photography of dressing up selfie, fulfilled myself of all kinds of imagination of life, trying to detect and face myself to all the possibilities I can have: What do I really want? I support the girls no longer need to play the innocent role, downgrade themselves only to win the love of men, like Bridget Jones _ sincere to herself without felt afraid of failure.
The final conclusion is a declaration and sincere invitation from me the creator of “You aren’t my destiny”. I used the work, which began from a small starting of my own self to my experience of self-evolution to share with and invite others, helping one day, the society I belong in can give the respect to everyone, and let them find the freedom in their souls through the acceptance and understanding of their own selves. Although I knew it’s hard to make huge differences only through the work and the thesis, still I want to speak for those
“bad girls” who do not meet social expectations and values in all countries. Praised for their courage to truly love and hate, sincerity, goodness, and not yield to the stereotyped social framework.
第一章 緒論……………………………………………………………………… 1
第二章 惡女革命一世紀………………………………………………………… 10
第一節 摩登女子…………………………………………………………………… 10
第二節 單身女孩……………………………………………………………… 13
第三節 第三波女性主義與後女性主義…………………………………………18
第三章 少女的征途，是星辰大海……………………………………………… 23
第一節 我是這樣成為惡女與女性主義者………………………………………23
第二節 You are not my destiny………………………………………………… 28
第三節 平行時空的多重敘事可能性……………………………………………35
第四章 扮裝自拍的編導式攝影………………………………………………… 40
第一節 編導式攝影與扮裝自拍肖像………………………………………… 40
第二節 影像敘事、幽默感與作品轉向—從歡騰到寧靜……………………… 52
參考資料………………………………………………………………………… 60
附錄：《少女的征途，是星辰大海》個展作品……………………………… 64
西文書目
Damsky, ed. Sex and Single Girls: Straight and Queer Women on Sexuality (Berkeley: Seal Press, 2000).
Helen Gurley Brown. Sex and the Single Girl: The Unmarried Woman''s Guide to Men (1962).
Jennifer Baumgardner＆Amy Richards. Manifesta: Young Women, Feminism, and the Future. (2000).
Johnson, Merri Lisa, ed. Jane Sexes It Up: True Confessions of Feminist Desire. (Berkeley: Seal Press, 2002)
Joshua Zeitz. Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern (2000).
Peter Turner. History of Photography. (New York: Bison Books, 1987).
Ulrike Müller. BAUHAUS WOMEN: Art, Handicraft, Design. (Paris: Flammarion, S.A., 2009).
西文期刊、雜誌
Goldberg, Lesley. TCA: Lena Dunham Says HBO''s ''Girls'' Isn''t ''Sex and the City’(The Hollywood Reporter, 1993).
Marghitu and Ng, Body Talk: Reconsidering the Post-Feminist Discourse and Critical Reception of Lena Dunham’s Girls. (Gender Forum: An Internet Journal for Gender Studies, 2013).
Roiphe, Katie. Date Rape Hysteria. (The New York Times, 1991).
中文書目
Benjamin, Walter 著，許綺玲譯（1998）。《迎向靈光消逝的年代》。臺北：台灣攝影。
Berger, John 著，陳志悟譯（1991）。《看的方法》。臺北：明文書局。
Berger, John, Jean Mohr 著，張世倫譯（2007）。《另一種影像敘事》。臺北：三言社出版。
Cotton, Charlotte 著，張士倫、賴予婕譯（2015）。《這就是當代攝影 (增修版)》。臺北：大家出版社。
Dunham, Lena 著，高霈芬譯（2015）。《女孩我最大：我不是你想像中的那種女孩》。臺北：流行風。
Chicago, Judy 著，陳宓娟譯（2003）。《穿越花朵：一個女性藝術家的奮鬥》。臺北：遠流。
上野千鶴子著，楊士堤譯（2015）。《厭女：日本的女性嫌惡》。臺北：聯合文學。
林芳玫（1996）。《女性與媒體再現—女性主義與社會建構論的觀點》。臺北：巨流圖書有限公司。
何春蕤（1994）。《豪爽女人：女性主義與性解放》。臺北：皇冠。
施舜翔（2015）。《惡女力》。臺北： 八旗文化。
廖雯（2001）。《不再有好女孩了：美國女性藝術家訪談錄》。臺北：藝術家出版社。
蔡琰（2000）。《電視劇：戲劇傳播的敘事理論》。臺北：三民。
劉瑞琪（2004）。《陰性顯影：女性攝影家的扮裝自拍像》。臺北：遠流。
中文期刊
林芳玫（1994）。《觀眾研究初探：由梅花三弄談文本、解讀策略、與大眾文化意識形態》。新聞學研究49集。
吳佳蓉（2013）。《新女性圖像—Hannah Höch 威瑪共和初期之攝影蒙太奇研究》。議藝份子第二十一期。
吳家瑀（2010）。《日常與陌生的交替—Philip-Lorca diCorcia 的攝影初探》。議藝份子第十四期。
陳雅雯（2014）。《女性的性慾再現與性別顛覆：女性向色情影片的分析與詮釋》。中華傳播學會2014年會論文。
趙淑珠（2003）。《未婚單身女性身活經驗之研究：婚姻意義的反思》。國立師範大學教育心理與輔導學系教育心理學報第2期34卷。
簡伯如（2013）。《框內與框外的消解：以法國早期攝影師自拍像為例》。現代美術學報25期。
論文資料
王力威（2012）。《完美無瑕的童話結局？台灣偶像劇與女性觀眾愛情觀影響之研究》。國立中山大學傳播管理研究所碩士論文。
吳家瑀（2012）。《光照之域：Philip-Lorca diCorcia 的編導攝影研究》。國立中央大學藝術學研究所碩士論文。
吳曼榕（2011）。《台灣當代女性藝術家扮裝表現之認同研究》。國立台灣師範大學美術系碩士班西洋藝術史組碩士論文。
楊珮芸（2006）。《後現代攝影對西方繪畫正典的擬仿與顛覆性—以辛蒂雪曼與森村泰昌為例》。南華大學美學與藝術管理研究所碩士論文。
胡乾峰（2003）。《台中縣青春期學生色情經驗、性態度與兩性教育需求之研究》。國立中正大學反罪防治研究所碩士論文。
網路資料
Virginia Woolf, PROFESSIONS FOR WOMEN (1931). URL:
http://s.spachman.tripod.com/Woolf/professions.htm
何春蕤（1999）。〈現代的貞操情結〉。中國時報家庭版。URL: http://sex.ncu.edu.tw/members/Ho/Glist_09.htm
何春蕤（2014）。〈何春蕤，豪爽女人二十年〉。性權會募款餐會發言。URL: https://sex.ncu.edu.tw/media/file/2014年06月14日％20性權會募款餐會發言 － 豪爽女人20年.pdf
許菁芳（2016）〈我是這樣成為女性主義者的〉。《女人迷》。URL: http://womany.net/read/article/11182
施舜翔（2014）。〈全球慾望城市中的陰性惡魔：當台灣女人遇上西方男人〉。《女人迷》。URL: http://womany.net/read/article/4981
______（2015）。〈羅曼史的前世今生：羅曼史的歷史浪潮與情慾復興〉。《女人
迷》。URL: http://womany.net/read/article/6636
______（2015）〈邁向女魯蛇美學：從BJ單身日記到丹妮婊姐星球〉。《女人
迷》。URL: http://womany.net/read/article/6884
影音資料
Bridget Jones’s Diary. Director: Sharon Maguire, Writer: Helen Fielding. (2001)
Bridget Jones’s Baby. Director: Sharon Maguire, Writer: Helen Fielding. (2016)
Breakfast at Tiffany’s. Writer: Truman Capote. (1961)
Emma Watson, HeForShe Speech, U.N., New York (2014). URL:
https://www.youtube.com/watch?v=p-iFl4qhBsE
Girls (TV Series). Director and Writer: Lena Dunham. (2012-2017)
Legally Blonde. Director: Robert Luketic, Writer: Amanda Brown. (2001)
Sex and the City (TV Series). Creator: Darren Star. (1998-2004)
逃恥役立 (TV Series).,Writer: Akiko Nogi. (2016)
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