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“虚拟偶像”因何而生
见者莫为治之，人皆求美。于求全之道路，人之创造力永不量。
“虚拟像”，在万全之声中诞育之。云“虚拟像”，日本之初音与中国大陆之洛天依辄为言。此二为人物不于各国有甚高之市例与知名度，且谓世“虚拟像”之进程器生远。“虚拟像”多为女形。其原型以画、动画与CG之文生，是离不开音合术与虚拟事拟术之进与支。而于世也，其别在立矣虚拟像之伏法，“虚拟像”之后必不离求，亦此之谓，今之市须虚拟像。于消费者也，其时一情之口。然而，其像为甚有风者，若一人过，凡关涉之人、牌、公尽损，其久也亦将裂。
真偶溃之险太高矣，当不足之时真，虚拟像是出路。往往为消费者情量之事，不与虚拟物交通之付费为。于资本者，其须得复给商贾者，虚拟像可是一善之市。资方将因情感之道激消费者之用行——主置、故事置、饰以等，并将其化为商贾直。“虚拟像”足足清净、，而且甚顺。因粉丝之直与造直，并在网上分与传。于是关下，“吾与像”作我造像。。其无罪录，将来不过。其可永存。其因时潮，与诸商动，其如人也不造直。人之言曰：“其永不老，永不得闻善矣。”
“虚拟像”之行当今少年求性、自由与语权要之文，今，当生之粉丝财犹是虚拟像成之事也。
The reason for the emergence of "virtual idol"
No one is perfect, and everyone pursues perfection.On the road of pursuing perfection,human creativity can never be measured. “Virtual idols ”are born in the midst of countless calls for perfection.
When it comes to "virtual idols", Hatsune Miku from Japan and Luo Tianyi from mainland China are always mentioned. These two representatives not only have a very high market share and high popularity in their respective countries, but also have a profound influence on the development process and direction of "virtual idols" in the world. "Virtual idols" are mostly female images. Their prototypes are produced in the form of painting, animation and CG, which cannot be separated from the continuous progress and support of voice synthesis technology and virtual character simulation technology. But for the real society, their uniqueness is that they have established the incubation mode of virtual idols.
"Virtual idol" must be inseparable from the demand behind, that is to say, the market now needs virtual idol. For consumers, they need an emotional outlet.However,Real idols are very influential, and if one person makes a mistake, all the people, brands, companies involved will suffer, and their longterm relationship will be broken. The risk of the collapse of real idol is too high, When real people can't satisfy them, virtual idols are that outlet.Consumers tend to play the role of emotional valuation, constantly bonding with virtual characters and paying for them.For the capital side, they need something that can continue to provide commercial value, and virtual idols can be a good business. The capital side will stimulate consumers' consumption behavior through the way of emotion induction ——character setting, story setting, packaging method and so on, which will be transformed into commercial value."Virtual idols" are clean enough, pure enough and, crucially obedient. Create value through direct participation of fans, and share and spread online. Under this relationship," I support idols "becomes" I make idols ".They have no criminal record and will not make mistakes in the future.They can exist forever.They follow the trend of The Times, participate in all kinds of business activities, they like human constantly create value.Someone said:"It never gets old and never gets negative news."
The popularity of "virtual idol" is exactly in line with the cultural core of contemporary young people in pursuit of individuality, freedom and discourse power.At present, contemporary young people's fan economy is still the main means of virtual idol realization.